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| This spaceship looks sick [cool]. |
I've done a bit of work on Repo Tim in the last weeks, but I'm struggling to find the right sounds for the locations, my dissertation is very hard to put into practice. I have however gone through almost all of the dialogue and beefed it up and made it sound nice and neat.
Over the break I've also done a second mix for Love-Hate in which I reworked and fixed the sound effects and also nice and neat-ed the dialogue. I just need to wait for a final music track now and mix it all together and the sound mix will be complete.
Here is another small clip I mixed for Hugh. I only used sound effects from the Zelda video games, which was great.
Now, Reuben should be working on the first Diorama cut, and I am eager to see it come together and to begin mixing it. I hope everything will come together as planned. We will have a day or two of foley and re-recording sessions to do, which will be a helpful experience to add to my portfolio.
Clearwater's rough cut it sounding a bit rough to be honest, but I have not had the chance to properly go through and mix it, as it had to be completed in a rush in one day! I'll be spending every day, all day, next week on it, and hopefully be near a complete version by the end of the week.
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| On the set of Beast on the Moor. |
Yesterday and today I have been on set working the production sound for Beast on the Moor. It was a great experience working with yet another new crew and a new director (Matt Chapman), a set of brilliant new actors including children, and some great and challenging new locations to work in and around. Tomorrow and Saturday it's on to the next project as I have chosen to record Paradise Hotel as well, as there were some difficulties organizing a production sound man.
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| On the set of Beast on the Moor. |
